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Post-modern avant-garde art in China During shape

Liu Jianping Key words: J0-03 Document code: A Article ID :1671-1254 (2008) 04-0057-05
of Chinese avant-garde art as a concept definition is difficult to do. As we all know, because the uneven level of economic development in China, a rich cultural environment overlap, to fish in the art means of communication, there are good and bad, regardless of artistic appreciation and comments are easy to make us into the so-called subterfuge and misunderstanding in the. The theoretical concepts of resolution, often after the actual phenomenon. Now, we look back 90 years since the avant-garde art in China, they will have a more rational and clear understanding. Chinese avant-garde art from its birth, is down to the concept of survival of the state of the object, the subject of such a context the development of nothingness, it is the generation of Chinese artists on the traditional, static, limited, non-utilitarian aesthetic concepts and language of the text to convey force a breakthrough in the avant-garde artists there, man, society, nature and relationships are magnified as a concept, a spirit, an attitude.
one distinctive feature of deconstruction
Pioneer or translated as It is a French word, first appeared in 1794, used to refer to the vanguard of the army, the Later, the utopian socialists in advance or of a said imaginary construction of social systems and conditions, also known as treasonable. The late 19th century, the term has been introduced into the field of literature and art as a synonym for radical art.
avant-garde art is the art of deconstruction. It is the rebel of the traditional themes and forms of art, but also subverts the traditional artistic value, it popular, and alternative entertainment, operational, can break the artistic imitation of the mystery and sublimity; it is not art back to life , but the abolition of the difference between art and life, the abolition of the sanctity of art and pure, so as to collapse the way of art for art expression. How to understand and explain the avant-garde art? This actually includes the art of judging. According to the Western scale, the arts in ancient Greece is considered to be Divine beauty; in the modern Renaissance, art is a rational conclusion from the principle is the ability to free expression. In modern thought, Hegel defined as the absolute spirit of art show sensibility, not only that, he also asserted that the End of Art. This fact is, art is definitely the first stage of spiritual development, the inevitable development of the religion and philosophy, it must be replaced. And the End of this alternative is not to say art will return to life, artistic life, but art as a spiritual yet to reach its own peak. Only philosophy to complete this mission. But here's philosophy is metaphysics, and it met with criticism of modern thinkers. Marx's work of art created by the provisions of the United States, the provisions of Nietzsche creative arts will be the realization of the provisions of Heidegger's truth of art itself launched into works of art. Dimensions of modern thought to require the existence of art is no longer rational. In the post-modern thought, the art of traditional standards and regulations are no longer continuing, but a fault; art is no longer beautiful art, the art of the United States is neither necessary nor sufficient condition for art; art of deconstruction He's also deconstructs itself.
should be recognized avant-garde art itself is a very complex cultural phenomenon, its radical nature, rebellious originality, it is the subversion of modern art and traditional arts of the rebellion; on its unique grid of expression and media, popular, and even the way of communication means in terms of business, it is also a strong culture of post-modern mood. Chinese sense of modernism, complete reversal of post-modern doctrine. The deconstruction of Chinese avant-garde art of distinctive features, making it an almost mocking irony in the way the concept of a strong showing in another color.
Zhang's The expression means that the symbolic point will penetrate into the work of each component, so full of thought-provoking works of symbolic significance. Zhang and people deliberately did not play into the whole body of works of art, in fact, the text of his default, field, atmosphere and the reaction started and implemented, as an event, is the main body of work, threw the glass is only course of action As a record of time as the main service. This means that with the game and subvert the process of setting and the irony of its implied it is very strong. Approximate boring through repetition, through the almost neurotic madness that we feel is a deep humanity and suppressed the pain, the pain, is a portrait of an era, an era of reality.
When Nature Reserve has been forced, like Indian reservations as an exhibit to the situation when the world has hardly any real, transparent and a pure natural state. Yan exaggerated and full of rancid floating beauty, their strong odor that we lose the sense of smell; and bravado of color and blinded our eyes. Artists in the form of irony and almost mocking, through meditation on their own, through this transparent, flat world (glass) the deconstruction of social life by complete disregard to the most conscious of this era's decision. His face could not hide numbing cold warm heart and hope, he is nothing but a silent volcano, this not the epitome of modern man it? So, not so much avant-garde art is a mockery of almost suicidal way of classical and sacred art, it is better that it is the art of the digestion before the ideology of the
Second, the creation of marginalized
attitude we're talking about the marginalization of Chinese avant-garde art of the time characteristics are usually understood as a kind of personal existence, that is, a self-contained existence, which naturally a certain sense, but we can not ignore the fact: that the so-called personal things there is reason to depend on an extremely non-personal things, there is a marginalization attitude and authoritarian, autocratic closely linked to the mainstream culture. In 1996, Wang Jin's performance art , watches, perfume, lipstick, TV and other items), as the commercial opening ceremony of the ceremony. After the ceremony, thousands of people surrounded the ice wall knifed Fuzao, stiff these goods, if the ice caused by the removal of Po, this metaphor hot war situation in a rational business, was hidden in the hearts of the annihilation of non-rational material desires, but also that the artist on the commercialization of human social situation in today's sensitive and concerns.
avant-garde art in post-modern concept reflects the fundamental nature of the creative gesture for the marginalized and strategy. Modern society is a huge accelerator and the oscillator, are sand, vibration in the machine, jump, spin, friction. A constant force of people with self-oscillation frequency adjustment, while others, were great centrifugal force flung margins of society, become the edge of mainstream society who abandoned. They may be around us, as we know and neglect; though they are members of the society, but it is divided by various groups after the cut chop down the debris away. Pioneering artists who shine the light of human nature more purely, both spiritual support for their survival, but also prevent them from entering the center and the main chains, and their vitality and weight-bearing forces are immeasurable, they are the times and social conscience.
Admittedly, 90 years since the Chinese avant-garde art in its exploration and development process there are many fish in Nishajuxia clutter phenomenon, but we can not hit a stick and put it death. Art is not the only means breaking the standard scale, the scale is neither objective nor subjective scale, there is no unity of subjective and objective scales. This means that the arts do not scale to measure. Artistic art lies in its creative process of consistency with the creators of life, disruption of life is interrupted work of art, work is a fragment of life processes. No separation of life outside of work, there can be no market works into circulation, which completely disintegrated the commercialization of art, in a sense to ensure the purity of the art. Human behavior is always broken. People have been the beginning of an act, and always want to interrupt its behavior, did not last more than behavior. The unique avant-garde art non-routine behavior, not everyone acts typification, not an act of imitation, not a drama, but the deliberate, eccentric Marginalization of avant-garde artists in a gesture against a variety of mandatory and life characterization of the authority of the concepts and mainstream consciousness; to a radical deconstruction of the way and even the extreme sense of the traditional stereotypes. We should see, with those loud, the active intervention of life, denouncing society's dark, to transform the modernist artists of social responsibility than the avant-garde art is singing in a low, negative tone (eg, Zhang, Xu Bing, etc. the works), avant-garde artists dare not or do not want to live a positive intervention, because the base of the community in their hearts lingers in the shadows cast this shadow reflected in the works, to synthesize a negative, depressed, mysterious, silent lament, and in the depressed, anxious, absurdity, irony, the potential is precisely the opposite possibility, namely, independent personality and strong spirit of freedom to pursue and feel nostalgic.
Thus, the Chinese avant-garde art is not just a personal experiment and explore, but has its own distinct mind space to rebuild a personal living space, to establish a unique self-observation of social life, ways of life exist in the proposed deep mining in the ultimate interpretation of the eternal. Marginalization of avant-garde art by this gesture of power image
Third, the media of the body language
Susan Langer said: appears to be growing weaker and thought its edge and intensity, when the artistic creation of the subjective desire to communicate with the real-life increasingly difficult, when the text and the performance of the media means more and more pale and weak, the creation of the media is reduced to or revert to the flesh of the living conditions on specific individuals. Zheng Lianjie that masochistic kind of hysterical tendencies, but also a kind of catharsis fullest pleasure. Body language, was to be added to give a multi-artistic content: on the one hand it became an intermediary to convey thoughts and desires, often in the Chinese avant-garde art occupies an important position, and even become a symbol for avant-garde art; another , the body language and often into the media within itself, it is the most vibrant and vivid advertising and media. Zhu Fadong was naked said: the return itself to its own body as a tool to personally and directly involved in, and penetrate into art, thus bringing the avant-garde art in contemporary culture in the sense of self-reflection and critical stance pushed to the extreme.
avant-garde art is the art medium of the body, the body acts as artistic materials and tools. Although the expression of avant-garde art through the body, but different from the traditional body art (such as acrobatic art). Avant-garde art in the body of the tool is the concept, the concept is expressed through behavior, and traditional body art is also a tool of the body though, but it is the body of the technical, the concept of performance rather than the expression of a simple performance body, such as acrobatic performance art and the body beyond normal limits, it shows that the technology of a trained body. Avant-garde art in the body does not need training, but the use, or borrow their body. Avant-garde art in the body is also the artistic tool, the body is a direct artistic expression, and avant-garde art is the concept of the body,[link widoczny dla zalogowanych], it does not need to show the beauty of the body and behavior, so behavior can be attractive as long as the concern , as long as the act of artistic value and artistic significance.
vanguard art of body language as a medium has a very obvious feature is the masochistic tendencies. If Zhufa Dong's be extended to the dignity and worth of an invisible relationship between the employment exchange of money, it encourages people to a better understanding of the role of contemporary society and the value of human life; in Cang Xin's lighted candles, nails, flies plants and Heidegger, Sartre, Nietzsche and others portraits, in a sense of taste is not a direct extension of the spirit of the times to sentiment. The behavior of these near-tragic, reflecting the deep sense of artists.
body language is the artist's experience of seeking personal experience of life thing. As a medium of body language, many avant-garde art is done through a one-time act, which makes it have a unique, not mimic the uniqueness, originality, imitation and plagiarism are any bad and ridiculous. Time in the Chinese avant-garde art was given a special meaning, which may reflect the moment, the stage of the ideological contradiction and emotional tendencies; the same time as the body language of the random and sporadic, it has also become a direct communication of ideas and experience , a bridge connecting the past and the future.
IV, fuzzy, multi-value orientation of the Origin of
from Pioneer, the rise of avant-garde art, the history of Western culture and the product of precipitation. Western avant-garde art not only reflects the content of Western culture and the specific situation of the Western world, at the same time with the West is closely related to a particular way of thinking and aesthetic. From the 80s onwards, with the noise and agitation of social reform, the Western fashion theories to pour in, the old ideology, ideals and values of life was falling apart by the impact, as a society, people have to undertake the light of the perspective of the times and through, feeling the pain but the baptism of the ideology of dripping. The prevalence of rock this trend reflects the open-minded, avant-garde art with the rise of deconstruction of the traditional utilitarian value and rigid vulgar concept of human nature through the form of sink and ugly display, and the world, life is a mockery to achieve the salvation of humanity and the vision to create a free aesthetic space. From Xu Bing, Wang Jin, Ma Liuming, Zhufa Dong, who works we can find its neat set of offensive life, the pursuit of mixed multi-state, the system of suppressing criticism of personality and the yearning for freedom and new love.
an art to become a landmark, it must be unique. It is not only broken with the traditional arts, but also with other forms of art phase fault. Fracture is the distinction, that is, their own generation. The value of avant-garde art is not necessarily the creation of beauty, but must show the difference. Intuitive way it shows the existing differences, it is the people's desires, emotions and intelligence of the show, is like technology road games. Determine the performance art of the artistic needs of the pure stare. Sociologists Buedier gaze of works of art made this term. He is not as Gadamer in wait and see attitude towards the practice. Buedier this perspective is that from the perspective of ontogeny, pure gaze and linked to the specific conditions of acquisition, is the result of long term art education, had been out of production and reproduction. Although there are varying degrees of Chinese avant-garde art in the soil, but the avant-garde art in China is mainly the pursuit of Western culture and imitation developed, it can not grasp the historical and cultural depth of its essence, so avant-garde art in China receive and disseminate the depth is bound to be a lost plane diffusion process. Like Zhang's and doubt, the expression of the Chinese avant-garde artists in the context of post-modern context alone ridicule and the desire for breakthrough innovation. This avant-garde artists as Sun Ping, another said In fact, this philosophy is also somewhat similar situation today, both in the construction of a spiritual home, or in the arrangement is treated as a social ideology and culture can not be left out of the window but no attractive exhibits.
Nietzsche said: a reversion, that is caused by modern industrial and economic relations of a shallow negative to rebel and go beyond the individual consciousness against the superstition of technology, called on traditional morality and reason for remodeling. Marx believed that enhance the value of the mother. Avant-garde art of deconstruction is to re-construct, critical and negative than it is to essentially. Jaspers that historical existence, if not flash in the pan, it will not sustain for long. After all, the attitude of scorn can not cope with the evil can not change reality, its critical spirit, the mood of irony and painful struggle, indomitable will of course make people pain and reflection, but as a mature and solid progress in the spirit of maintaining social ties, is not enough.